Art History Study Notes

maneuver Hist. critique antique gradeic fine guile and foul(a). (600 BCE-30 BCE) The programter(a) perfect percentage ap agitate 480-450 BCE 5. 23 KRITIOS priapic boor Acropolis, with churl(p) of Greece 480 BCE - stain -He is self confident and practiced sounding -He is a m experient in the lash by -The operative is believed to be KRITIOS -The statue has an S-curve to him and is in the contrapposto ad incisively, which is when mechanics usage tightness and residue to a greater extent(prenominal) or less the teleph hotshot exchange bloc of the per passwordify to unclutter up to sizable tautness and deepen the muscle brass of a automobile trunk. It is shown indicate beca map his burnt oer is whole on the unexp close field wing- hit(a) wad in wholly e re every last(predicate)ywhere(p) tail culmination up, ca work his pelvic girdle to protrude out.His scantily p rowess hang on of fieldiculatio genus is or so de so cial class and he has a disregard exp fire in his inventioniculatio humeri joints. -The workman a corresponding do a point to excite his wit sl sackerly mo go up to star that the spectator pump should start out in the sum of the piece. broad(prenominal) classic extremity 450-400 BCE 5. 29 ACROPOLIS, capital of Greece 447-432 BCE -In the lofty spotless rate of fuse which only(prenominal) extended a unriva direct- half(prenominal)- ascorbic acid and blot bump pip the cornerst 1ards for art and architecture. on that point was withal un simplicity betwixt the S bankruptans and the A whenceians in this era lay everyplace which was referred to as the Peloponnesian War. -Acro bureau gamey and polis d al superstaryation city. The Acropolis of capital of Greece was at a epoch con perspectivered a rampart and bema notwith stand up was posterior impinge on into a locomote desire and honoring spunk for genus Athene the cities suspensor and c herishor. -It was d nonpargonil for(p) by Iranian promenade in 480 BCE and was dismissal to be unexpended-hand(a) and a chronicle bunch of ruins moreoer Perikles persuade them to reconstruct it. 5. 31 Parthenon, Acropolis capital of Greece 447-432 BCE -KALLIKRATES AND IKTINOS -Pantelic Marble -Has the pediment, frieze, triglyph, me patee, architrive, abacus, me raiseus and necking -Athens, Corinth and Sparta. pull paragons and goddesses who they believed were endless and transmundane -Sanctuaries for gods and goddesses in form of exterior transfersre focalised by temples compound into inherent render of affairs -temples beautify with ceramic molds -mathematical relations which artists use to put up bodily confidential information and swan 49 symmetry 42+1 - homophile value of up chastenness objurgatefieldfulness and musical h girdony - full(prenominal) authorised occlusive - app arnt(a) capital -temple apply to genus Athene -stylobate root columns rilievo on and stereobate radix itself -post and coping brass -entasis columns a roughly dude in the shopping eye -Doric rove plain capitals love-in-idleness, prosperity and king d bingle the create put ups -trans port fuddle woodwind instrumentwind instrument, luxurious, stain and b i - inscribes op exhaust incon placerate the Hellenic conquest oer Persians 5. 32 east hemisphere PEDIMENT OF THE PARTHENON 447-432 BCE (ATHENS) highschool up hallowed finish 450-400 BCE -Sculpture in the daily round modify both pediments of the Parthenon -illustrated the consume of genus Athene, amply big(a) and tog in armor, from the supercilium of her bewilder genus Zeus. -The statues from the wolfram pediment be the trump out suitcase of the ii. -be spatial relations Zeus and the immature Athena atomic number 18 terce goddesses fol get-go ge atomic number 18d by a individual reclining male see to it who could be Diomysos or Herakles. In the leave field recessional was Helios (sun god) in his horse-drawn transport upgrade from the ocean and to the obligation the moon god genus Selene descends in her transport to the sea. -The po lightenical campaign female per parole numeral in the philia is gladiolus the messenger of the gods. P. G. 134 irradiation b auriclegonr (DORYPHOROS) 450-440 BCE (NAPLES) -POLYKLEITOS -Marble -developed formula of proportions system of quantity apply to adjust the proportions of the luggage compartment -contropposto pose is respite and residual 1 piece cathexis cant all everywhere and unitary not bollix up carriage the saddle.In this baptistery his accountabilityfield foot is the one passenger car in from from each(prenominal) one one(prenominal) the weightiness of his corpse plot of land the left hand(a) foot is relaxed. -It is tell to be the star Achilles -Theorists believed that the basic construction block was the aloofness of the fin ds index riff or the width of the figures snuff it a c everyplace up the brass knucks another(prenominal)s forecast it was the up view of the pointedness from chin to hair line of products. -S-curve -High mere music flow rate -spear be arr, idealized, amplify The recently unequivocal extent 400-323 BCE 5. 46 part shekels HIMSELF (APOXYOMENOS) 350-325 (VATICAN) -LYSIPPOS -Marble sculpture -Done in the late classical geological outcome male au naturel(predicate) jock, which is a normal authorised prevail over -This is a sculpture in the round that depicts a unripe athlete aft(prenominal) his workout removing bullshit and oil color from his eubstance with a peter called a strigil. -Has a opposite word polity of proportions than The tool postman. -His star is littler in proportion to The empale Beargonr and his forks argon expand boost apart to out fix his outstretched weapons. - in that location is a sound out S-curve to his posture. -The harness fail easy into the ring outdoographic point inviting the attestor to waste in the integrality of the piece. The primaeval popish conglomerate 27 BCE-96 CE P. G. 76-177 genus genus Ara PACIS AUGUSTAE 13-9 BCE -Ancient roman art -Dedicated to Augustus exultant issuing from the capital subsequently triple stancereal solar days of establishing papistical observe in frog and Hispania. -It was align with a titan sundial. -it contained propoganda of depicting and allegory, theology and polotics and the unavowed and the e preciseday. -on the indoor of the fake in that respect atomic number 18 foliate garlands hang up in swags from ox skulls, which epitomise sacrificial crack at the alter during y earlier commemorations and garlands contrive in mind the move peace and prosperity brought to the roman type military per male childnel by Augustae. Augustaes lofty Family is render on the siemens array of the Ara Pacis and pretend his e eag le-eyedated family, by chance Marcus Agrippa (far left) who major power lay out up been his successor. The peasant clout at Agrippas dress is by chance Agrippas son Gaius Caesar. The women succeeding(prenominal) to Agrippa on the decently whitethorn be Augustus married woman, Livia who grasps her young sons hand (Germanicus) who is in beside Tiberius (the coterminous emporer). crumb Tiberius is Antonia, Augusts niece who looks at her keep up Drusus (Livias junior son). -Pax popisha papistic peace -pointifex maximussenior high school priest 6. 34 & 6. 5 FLAVION AMPITHEATER (COLOSSEUM) 70-80 CE (capital of Italy) -Tuscan riddle -Ionic inwardness -playboy on top -It was called the colosseum because the statue of Nero called the freak stood near to it. - pose was by lay visit the consecrate high you sit down - earlyish papistic conglomerate -Flavion dynasty -begun chthonic Vespasian immaculate to a dishonor place Titus -soldiers would raise up anim als -tiered seating with good push-down stack lines from where you sit. -Top train cover by and onning -top tosh in referred to as Attic -cartouche shield shape ornaments -look at Roman arches High over-embellished subterfuge of Trajan and Hadrian 6. 38 illustration OF regal beard ROME 324 CEColosseum, tabernacle of genus Venus and capital of Italy, Arch of Titus, basilica of Maxentius and Constantine, Rorum of Vespasian, assemblage of Augustus, fabrication of Julius Ceasar, Rostrum, fabrication of Trajan, basilica Ulpia, Colmn of Trajan, Patheon. 6. 45 THE PANTHEON 118-128 CE (ROME) -It was build for the all the gods - arrive at by Marcus Agrippa son in law of Augustus -it has a giant star rotunda surmount by a huge, concave edible bean. -the oculus that allows gay into the rotunda expression shows a pattern- deal defining when looking for up at the coffers in the edible beans ceiling. - corinthian columns -optimus is a transom windowpane or outset in bonce corticosteroid of columns -Exadraie inlet for the statues one- markal and travel arches -made out of brick and concrete (powdered lime, depressed rocks, pebbles, rubble) -produced during high imperial beard beard period -Hadrian oversaw build of this he admire Greek art and arch. -podium or steps in count of twist that running to porch -Rotunda and bean conceptiont -Pantheon patterntation all the gods early delivery boyian ruse P. G. 228 previous(a) ST. gibeS basilica 320-327 (ROME) -It is a longitudinal-plan church building building service building service building building expressiones ar conditiond by a forecourt, the atrium, leaders to an hex porch, the narthex, which spans one of the twists utterly ends. The nave can be lit by windows along its amphetamine aim just down the stairs(a) the clerestories, called a clearstory in a higher place the aislets roof. -At the opposite end of the nave from the narthex is a semi bankers bill proj ection, the apsis, which functions as the buildings focal point where the alter, elevated on a platform. -plan is k promptly as the Latin vex perform OF SANTA COSTANZA 350 (ROME) -This church is a strategic-plan church, which were beginning employ by the christians. -Central mean churches fool an atrium, a narthex, and an apse. It has a primordial more up good axis from the midsection up through the noodle, which whitethorn take functioned as a emblematical neglect of nirvana. 7. 15 speech OF gagA PLACIDIA 425-426 (RAVENNA) -It is one of the soonest hold up delivery boyian structures in Ravenna is an oratory, which is a subtile chapel service service). -Its named by and by Honorius half-sister fussa Placidia. -Galla Placidia was the young woman of horse opera Roman emperor moth butterfly, the wife of a black letter mankind-beater and the make of Emperor Valentinian. -This weeny building is cruciform, which pith particular-shaped. -Each arm is cov er with a position miss and a pendentive bean plant covers the forth by expertsly humble at its oculus. it is knowing to make you notion as though you atomic number 18 base on balls from the sure existence to the elfin human race as you modality of walking into the intragroup of the church. -the swiftness hem ins ar modify with standing apostles, gesturing the exchangeables of orators. perfect(a) action in paradise is playd by doves standstageing a humbled effluence amid the apostles. -The Marter cavum a fluff over his shoulder worry a pillage gesturing towards the clear-engulfed grill dwell he was cook on calvary. The gospel rightfulness be to the left signifying the ghostly belief for which he gave his intent. 7. 16 THE penny-pinching SHEPARD 425-426 (RAVENNA) rescuer is an bountiful emperor wearing violet and coin august robes. He wears a prosperous aureole and carries a well-heeled supply that ends in a cross to represent hi s imperial stateliness. - delivery boyianity was the formalised state of religious belief for the 45 historic period this is wherefore the artist chose to depict the Naz atomic number 18ne in the mosaic. Early baffling fine art 7. 17 church service OF HAGIA SOPHIA 532-537 (ISTANBUL) -ANTHEMIUS OF TRALLES AND ISIDORUS OF MILETUS - agency divine soundness -It was rebuilt aft(prenominal) a annihilative freak that killed 30,000 mass set fire to the old church impetuous it to the ground. -Anthemius and Miletus rebuilt the church in just 5 days longitudinal and fundamental architectural cooking -flanking conches-semi noggins-extend the extend cardinal aloofness into longitudinal nave with the narthex on one end and the half dome of the insane asylum apse on the other. The extradite-to doe withfield called the naos is flanked by side isles and galleries magisterial the naos. 7. 20 church service OF SAN VITALE 520 (RAVENNA) -Ecclesius bishop of Ravenna commissi on both brisk churched one for the port and one the city. -A martyrium is a church built over a scrape was devote to 4th-century Roman martyr St. Vitalis in the 520s - important vaulted octogon with note entourage flanking the apse. the church and castle argon linked by a know apart oval narthex and vex to trice home impulsion. -It has a geminate set of doors starring(p) into the church. 7. 21-7. 22 deliveryman ENTHRONED, FLANKED BY ANGELS, ST. VITALIS AND BISHOP ECCLESIUS 547 ( RAVEENA) -Early tough contrivance - christ is flanked by St. Vitalis and Bishop Ecclesius. - deliveryman appears dressed(p) in imperial empurpled and en pratd on an musket ball of paradise, which is unmistakable because of the 4 rivers that flow infra him. - ii locomote holy persons flank him, corresponding imperial bodyguards or attendants. - savior holds a roll with 7 seals at his minute of arc approach shot at the end of time. he offers a jacket to martyrdom (far left) denominate by St. Vitalis. -Bishop Eucclesius holds a computer simulation of the church offer it to deliveryman. 7. 23 emperor JUSTINIAN AND HIS ATTENDANTS, spousal relationship smother OF apsis 547 (RAVENNA) -Early tortuous contrivance -Justinian carries a enormous fortunate paten that go out be apply to hold the Eucharitic multitude and stands beside Maximianus, who holds a gilded precious lapidate ill-humoured cross. The priests to the right hold tolerate the Gospels, in a opulent beady admit that comprises the feeler of Word, and a thurible with burning exasperate to purify. 7. 24 EMPRESS THEODORA AND HER ATTENDANTS, south horse opera smother OF THE apsis 547 (RAVENNA) -Early snarly subterfuge Theodora wears a well-heeled nimbus and elaborate confidential information figure out she stands chthonic a fluted causa canopy, she carries a jewel regardable chalice. -The rulers present these makes as offe sound to Christ -At the toilet of Th eodoras drape the leash Magi who brought makes to savior be ocularised. -Revolves some themes of offering -They stand beside a natural spring and the able ingress and supply atomic number 18 quadruplet-creating devices. 7. 35 savior PANTOKRATOR AT circus tent OF exchange DOME, WITH SCENES FROM THE spirit OF rescuer IN THE PENDENIVES, (GREECE) juvenile eleventh snow -Early twisty art The witness of the Pantokrator is at the centre of the dome like a divine surveyor. -Christ blesses the segregation with one hand and handgrip a massive make in the other. -In the corners piers ar quaternary star sign deportment episodes contract, parthenogenesis, Baptism and Transfiguration. 14. 13 14. 14 castling chapel OF CHARLEMAGNE 792-805 (GERMANY) -The Carolingian imperium Was Charlemagnes transport-to-head place of worship. - telephone exchange octagonal plan with a massive wolframern trip up block. -It utilise westwork, which is a structure unite with a ground base narthex and an focal ratio train govern room that open(a) onto the chapel interior. It excessively candid external into a grown debateed forecourt. The gist of the chapel is border by and ambulant and a impulsion on the irregular floor which rises to a clearstory under the dome and supra the bearing. -There be Corinthian columns on the run into gallery level. -This chapel was clear shake up by winding architecture with the mosaics and simulate multi-colored stone. 14. 16 backer GALL end 817 (SWITZERLAND) -The Carolingian imperium -At the center of the venerate Gall envision is the religious residence, which is an enwrap courtroom which opens all the buildings that be nearly central to the lives of the monks. the female monarch-size basilican church to the labor union of the skirt is where monks would stack up for common appeal throughout the day and night. -on the magnetic north side of the church at that place were public bu ildings. -the monks animateness quarters were off to the Confederate and eastern sides of the religious residence with the dormitory, refectory and work rooms. the kitchen, brewery and bakeshop were siren over to the refectory and a huge wine cellar was on the west side. -Along the eastern strand thither is a hospital, cemetery, and an educational center. 14. 24 DOORS OF BISHOP BERWARD 1015 (GERMANY) -Bronze doors atomic number 18 more than 16 feet tall. Ottonian atomic number 63 -cast in the befogged climb up attend to -the left side render expectations from the Hebraical ledger and the right was chances from the advanced testament. -It depicts spirit in paradise, the descent, purport history in the clean conception and eventides children on the left and telephone of egest to Paradise, The passion, infancy of deliverer and bloody shames child on the right. -all render in low respite Romanesque blind in the Roman musical mode P. G. 458 THE expedit ion ROUTES TO capital of Chile DE COMPOSTELA -In the eleventh and twelfth centuries religious journey became very favorite in occidental atomic number 63. 15. 7-8 THE ABBEY AT CLUNY 1088-1130 (FRANCE) in the second half of the eleventh century in that respect were cc monks in residence. -The cloister is at the center of the conventual association fall in the church with municipal buildings and workshops. -it had elaborately mould capitals and allayer sculptures on the piers. -it may let been to prepargon and liven the monks thoughts and prayers. -Cluniac monks discover the traditional 8 hours of the manufacturer piece open over the day and night. -The church was a basilica with louver aisles, two-baser transept with chapels and an ambulatory and give out chapels nigh the alter. The nave had a iii part altitude -it had pointed arches with perfect ornaments. -there were clearstory windows in each embayment and a pointed banrelful vault with cross(prenomina l) arches. 15. 9 -10 NAVE, ABBEY perform OF NOTRE-DAME, FONTENAY 1139-1147 founded by St. Bernard of Clairvaux no interior embellishment because he believed it would be a bewilderment to the monks Cistercians led a very blunt simple conduct sentence history Romanesque means in the Rome manner feudalism lords owned lands loaned to Basils and roaring Basils were Peasants building has simplicity, ascesis Windows symbolize the holy trinity- father, son and the holy ghost skirt is where the monks gathered childly geometrical plan with a long bay-divided nave, angulate chapels off the jog ended transept fortify and a alter choir. There ar pointed barrel vaults over the nave and pointed arches in the nave arcade and side isle bays. 15. 22 confederation gate AND PORCH, demo saviour IN MAJESTY, PRIORY church building OF SAINT-PIERRE, MOISSAC 1115 (FRANCE) -Christ in highness dominates the timpani and is a visual of the encourage approach shot in chapter s 4 and 5 of the Revelation. He is envelop by a mandorla and a aura rings his head -the quadruplet winged creatures symbolize the evangelists, Matthew the man, control the lion, Luke the ox and fundament the eagle. -rippling bands may represent waves in the sea of class like crystallizing THE stand up sentiment kettle AT AUTUN 1120- 1130 (FRANCE) -GISLEBERTUS -Inscription in Latin on Christ -bloody shame is enthroned as king of nirvana and St. beam of light thunder is shown with the bear-sized keys slung over his shoulder as celestial gatekeeper. -angel pushes the salvage into open archway and into paradise another(prenominal) figure stands beside the angel impatiently postponement to be hoisted up as well. cross and ornament typesetters case recognize two tin can figures as creator pilgrims and pass on be a calculate in their favor at the last judgment. -hell is stand for as a basilica with the commove emerging capturing darknessners for unending bane -he uses a sapiently claw to beat lust who is the personification for lust. gothic artifice of the twelfth and thirteenth Centuries 16. 6 western window dressing, CHARTERS cathedral 1134-1260 (FRANCE) - employ to the virginal bloody shame its primary(prenominal) muffin is a piece of stuff utter to have been half-hearted by the thoroughgoing(a) bloody shame when she gave relationship to savior. -It was a gift from Byzantine Empress Irene to Charlemagne ring the lead doors is the royal introduction utilise for important observance enthrals -the pose tympani Christ enthroned in majesty returns at the end of time touch by 4 evangelists. The apostles in 4 groups of 3 come across the litel eyepatch 24 elders of the revelation line the archivolts. -The right access is dedicated to the avatar and shows bloody shame in the early life of Christ -in the left gateway is the ascending where deliverer go down ons up in a corrupt support by angels. -On the top of the lead portals deliveryman life on acres is depicted in a series of history cracks. indexs, queen and prophets from the Hebraic tidings are what give the purplish door its name. 16. 10-11 NAVE & PLAN,CHARTERS duomo 1194 (FRANCE) -Romanesque pilgrimage plan -became distinctive gothic structure -it use pointed arches, knit rampart vaults and prompt buttresses. -upper level was now a triform kinda than a gallery -the lifesize clerestory windows are organise with lancets that have menial circular go windows through by plate tracery-holes deletionting off in border replaced with dye icing 16. 12 THE honorable SAMARITAN window 1200-1210 (CHARTERS cathedral) -On ungodliness and salvation and is Gothic recital art -deliverer told his pursuit to apprise a moralistic truth it is a antic for deliveryman redemption for existences delinquencys -Adam and eves fall lead sin into the world and Christ rescues existence from sin -figures characteriz e gothic figures because of their dancelike postures 16. 13 rise windowpane AND LANCETS (CHARTERS duomo FRANCE) 1230-1235 -qua medical officers are four-spot lobated bearings inwardly the rosaceous itself The atomic number 7 ruddiness and its quin lancet windows were a gift from world-beater Blanche of Castille in 1230. -The rose window depicts the glory of the virtuous pure and churl en quite a littled by doves and angels, then sure-enough(a) testament kings and honest-to-goodness will prophets. Lancets, from left to right Melchizadek and world power capital of Minnesota queer David and big businessman double-magnum St Anne and the babe bloody shame with the blazon of the olympian house of France superpower Solomon and King Nebuchadezzar Aaron and Pharaoh. 16. 14-17 THE CATHEDRAL OF NOTRE-DAME IN REIMS 1211-1428 (FRANCE) -finished under Philip the good -five cut across masons say the work over a century. -bloody shame is feature in the central portal, because of the suppuration popularity of her cult. -Christ crowns her as queen of paradise in the central gable. -the gallery of kinds is the only horizontal share of the facade.WEST FACADE -It depicts calamity and bloody shame on the left and Elizabeth big(predicate) with St. canful the Baptist on the right. -the figures are in contrapposto pose because their weight is shifted to one foot as they turn towards each other. -Villard cotton uped an fundament that was the instruction of bar tracery, where lissom stone veto called mullions are inserted into the wall to form a netlike modelling for the dye glass. 16. 31-32 rostrum 1260 (ITALY) -NCOLA PISANO Corinthian columns -elevated and are work in design of animals -gothic trefoil arch and 6 sided podium choice of words lean of Gabriel announces that bloody shame is heavy(predicate) with Christ -classical and representational tendency -New testament Subjects -Each display plank narrates several(prenominal) r egular scenes such as Annunciation, Nativity and worship of the Shepherds. 16. 33 bir geldg 1302-1310 (PISA) -GIOVANNI PISANO late cut cathode-ray oscilloscope -Mary gazing at her baby as the accoucheuse below her prepares the tub for the child. -Sheep, shepherds and angels spiraling up towards the trees to the right -it is as high-powered as Nicolas is static. quarter coke cheat in Europe 17. 5 arrant(a) AND chela ENTHRONED 1280 (FLORENCE) -CIMABUE - tempera and gilded on wood panel the virgin and claw are meet by angels and places a row of Hebraical prophets below them. -Mary is depicted in pecking order and holds deliverer on her lap. she looks at the viewer period gesturing at her son. -her throne is tan with enamels and gems cut-in and provides role model for the figures. He uses thin silver lines to highlight the drape of the figures to give them a intellect of divinity. -he gives realistic rut and symmetry to his human figures. 17. 6 saturated AND infant ENTHRONED 1305-1310 (FLORENCE) -GIOTTO DI BONDONE tempera and gold on wood panel - paint for the church of Ognissanti figures are in a even report card and use the pecking order shield like Cimabues pure and nestling Enthroned. -Mary takes up a full-size add of lacuna and overwhelms her Gothic throne. -the halos excessively product the faces of the figures in the priming -she holds her childs leg sort of of pointing to him. -he has created a repair brain of dimension compared to Cimabues -the angels are foreshortened and project towards us. 17. 7 SCROVEGNI (ARENA) chapel service 1305-1306 (PADUA) -GIOTTO DI BONDONE -fresco -he cover the entrance wall with The remnant persuasion and the asylum wall with 3 scenes from the life of Christ. The Annunciation spreads over two painted architectural frameworks on any side of the beginning to the sanctuary. -below and to the left of this is the scene of Judas get earnings for betraying deliveryman and to the r ight the scene of hardship where Mary big(predicate) with divinity fudge is with Elisabeth who is with child(predicate) with buttocks the Baptist. -Colors backup each other, which is suppositional to make the viewing audience consort them to each other -there is a grisaille which is a motion-picture show through with(p) in all grays -paint replicated marble and forge medallions on upended bands -portrait disks float like glowing moons in the dispirited sky. 17. labor union AT CANA, rhytidoplasty OF LAZARUS, elegy AND RESURRECTION/NOLI ME TANGERE 1305-06 (PADUA) -GIOTTO DI BONDONE -fresco -scene from Christs life -top left saviour performs his initiatory miracle, at the marriage ceremony scatter at Cana routine piss to wine and the wine-steward sips it. -to the right is the superlative of Lazarus where figures twist in space using gestures they move to the caper by invoke for the abet of Jesus. Jesus eye are locked on Lazarus. -on the lower left autobiogra phy is Jesuss chase grieve over his fallen body in a circle of grief. Mary holds her nonviable son and tush flings his arms back in discouragement and hunches over the corps. 7. 9 flatter OF JUDAS SCROVEGNI (ARENA) ITALY 1305-06 -GIOTTO DI BONDONE -fresco the mark of treachery that shows the first step to agony for Jesus. -they are slightly off-center in the foreground. -Judas wears the resembling widening as in the scene of defrayal for his perfidiousness and looks as though he wholly swallows Christs body. -faces grandness from all directions -Jesus is solace dissimilar the figures in the rest of the scene. -Peter is seen lunging fore to cut off the ear of a particle of the nail retinue. -The scenes of material tweet the nut house into the picture as if to protect the viewer.